Thursday 2 August 2018

A Mystery Window: The Annunciation at Grouville















The Annunciation Window at Grouville Church is one of the strangest I have ever seen.It is not conventional in any sense. The Virgin Mary is neither dressed in white, or wearing blue, and her face and hair style - short! - must surely be contemporaneous with the period the window was created, in the mid-Victorian period.

Red is more associated with Mary Magdalene (because of the false history of her as a reformed prostitute). It is colour used for depicting passion.













But in Russian icons, for example, the Virgin Mary more commonly wore red but usually a whole ensemble of red with blue beneath. On other occasions, she was portrayed in white to represent her innocence.

It is however atypical for Western art. I've looked at hundreds of images of Mary in stained glass and have yet to find anything close to this strange colour scheme for her clothes.

The green sleeves are also distinctly odd. Green as the color of grass and nature can be an indication of spring, growth and rebirth, life over death, and can symbolise faith, immortality, and contemplation.

The lily Gabriel holds symbolizes purity and is conventional, but is rather larger than is normally the case. Both the faces of Mary and Angel Gabriel seem more sketched from life than traditional iconography.

Unfortunately there is no information on record (or name) of the maker or designer of this stained glass, only the date it was placed there.

The Fleur de Lis is an age-old symbol for lily, a sign of the resurrection. The whiteness and purity of the lily is said to represent Mary, mother of Jesus. The three petals also represent the Holy Trinity: Father, Son, and Holy Spirit.










By way of contrast, here is Dante Gabriel Rossetti, Ecce Ancilla Domini, 1849-50, which while naturalistic is very much more conventional in that Mary has long hair.













And here is a much more traditional Annunciation in a stained glass window from Santa Maria de Montserrat Abbey (Catalonia, Spain) - Mary in blue.













And here's a modern variant, again Mary is in blue.













Another mystery is the tree and the stars in the bottom of the window. What does that symbolise?











And more symbols can be found at the right bottom:















Scallop shells are a symbol of triune baptism, but while Trinitarian, what is the meaning of the other threesome symbols? Those peculiar red symbols in particular are very strange. What are the strange fish?

Mary's Hair












The hairstyle of Mary is unusual. Most Victorian women wore their hair very long, or (if upper class) in what was known as the "up-do", hair piled high on the head. However, there are some instances of shorter hair:











Here is a short version of the "up-do" style.










Another with shorter hair
















And a painting of the young Victoria.

2 comments:

Anonymous said...

Strangest things you have ever seen ?? Why ?

You say you have looked at hundreds of stain glass depictions of Mary - Why, Tony ? What have you been looking for ? a confirmation of an idea , a belief ?

You know what i think , i think you are trying to tell everyone of a belief you have... but without saying it in an open manner.

Lets be honest , we know exactly what that Stain-glass window depicts in Grouville Church .... and anyone with a bit of understanding of where know that the few over here in Jersey hold that same belief.

TonyTheProf said...

Evidently, Lisa, you have the historical curiosity of a gnat.

If there is something odd, it is always interesting to find if there is a historical reason why, especially when it is very strange like the window.

What I have been looking for is some reason why the depiction of Mary should be so strange and out of the ordinary, some similar windows elsewhere, some artistic pattern, for instant pre-Raphaelite school. I have found none. It seems without precedent or anticedent. So why did the artist break so greatly with traditional depictions of women?

It's more a matter of art history than belief, but perhaps that doesn't interest you.